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Video Production Cost in Egypt: What You Are Actually Paying For

Video Production  /  6 min read

A simple phone-shot video can start around 5,000 EGP, a proper social ad usually lands between 15,000 and 35,000, and a full brand film runs well past 50,000. The real question is what's inside each number.

Someone sends you a quote for 8,000 EGP. Another company asks for 60,000 for what sounds like the same video. Neither is necessarily lying to you. They're just pricing two very different jobs, and nobody explained the difference.

Roughly, in Egypt right now, a basic phone-shot video with simple editing usually costs between 5,000 and 12,000 EGP. A proper social media ad with a real camera, lighting and a clean edit typically sits between 15,000 and 35,000 EGP. A premium brand film with a crew, actors and a studio often goes from 50,000 to 120,000 EGP, and TV-level work starts above 150,000. These are typical market ranges for late 2026, not fixed prices, and the dollar rate keeps nudging them up, since most of the equipment and software is priced in dollars.

If you want to see how we scope this kind of work, our video production service page walks through the stages. Below, we break the number apart so the next quote you get makes sense.

Here's what this covers:

The typical price ranges

Think of video in Egypt as four rough tiers.

  • Phone or UGC style, one location, simple edit: around 5,000 to 12,000 EGP.
  • Standard social ad with camera, lighting, music and a clean edit: around 15,000 to 35,000 EGP.
  • Premium brand ad with a crew, actors, studio and full post-production: around 50,000 to 120,000 EGP.
  • TV-level production with a director, cast and several shoot days: 150,000 EGP and up.

Most small and medium businesses we talk to land in the second tier. A clinic in Maadi that wants a 45-second video explaining a new treatment, shot on its own premises with the doctor on camera, is a classic 15,000 to 35,000 EGP job. A real-estate developer launching a compound in New Cairo with drone shots, actors playing a family, and a voiceover in two languages is a different animal and will sit in the third tier or beyond.

Freelancers usually come in lower than agencies. That's fine when the job is simple. It gets risky when the job needs a script, a director's eye and a producer who keeps the day on schedule, because those roles quietly disappear from a cheap quote.

Where the money actually goes

A video isn't priced by the minute of final footage. It's priced by the hours and people it takes to get there. A typical production budget splits into three parts.

Pre-production is the thinking: the idea, the script, the shot list, casting, finding a location and planning the day. Clients often want to skip this to save money, and it's the worst place to cut. A two-hour shoot with a clear plan beats a full day of improvising.

The shoot day itself covers the crew (camera operator, lighting, sound, sometimes a director and an assistant), the equipment, the location, transport around Cairo, and talent if you need actors or a presenter. Shooting in Sheikh Zayed in the morning and Downtown in the afternoon sounds easy until you count the traffic. Two locations can quietly mean a second shoot day.

Post-production is the edit, color, sound mix, music license, subtitles, motion text and the exports for each platform. This is where a 30-second ad becomes a 30-second ad, a 15-second cut-down and three vertical versions for Reels and TikTok. If those versions aren't in the quote, ask.

What pushes the price up

The same brief can double in price depending on a few choices.

  • Crew size. One camera operator costs a fraction of a director, director of photography, sound engineer and lighting team.
  • Talent. Using your own staff costs nothing. Professional actors or a known face can cost more than the filming itself.
  • Location. Your own shop or clinic is free. A rented studio or villa in Egypt typically runs a few thousand EGP a day and can reach 20,000 for something special.
  • Shoot days. Every extra day adds crew, gear and transport.
  • Animation and 3D. Motion graphics, product renders and heavy effects add design hours.
  • Revisions. Two rounds of changes is normal. Unlimited changes is how a project gets expensive or bitter.
  • Usage. A video for organic Instagram is not priced like a TV spot on a major channel.
  • Timing. Asking for delivery the week before Ramadan or White Friday means everyone else is asking too.

Motion graphics versus a live shoot on cost

Motion graphics often look like the budget option, and at the simple end they are. Egyptian studios commonly quote around 3,000 to 6,000 EGP for a basic 30-second motion video, and something like 6,000 to 10,000 EGP for 60 seconds of medium-quality animation. Once you ask for custom characters, a professional voiceover and polished animation, you're looking at 12,000 to 15,000 EGP and above, and fully custom 2D explainers from agencies often land between 20,000 and 60,000.

So the choice shouldn't be about price alone. Motion is great for explaining an app, a process or a service you can't easily film. A live shoot is better when trust matters, when people need to see your food, your clinic or your team. We wrote a separate guide on choosing between motion graphics and a live shoot if you're stuck on that decision.

How to read a quote line by line

A good quote tells you what you're getting. A vague one says "promo video, 25,000 EGP" and nothing else. Before you compare numbers, make sure every quote answers these questions:

  1. Who writes the idea and script, and is it included?
  2. How many shoot days and hours, and at which locations?
  3. Who is on the crew, by role?
  4. Are actors, presenter, voiceover and location rental included or extra?
  5. How many final videos, at which lengths and which aspect ratios?
  6. How many rounds of revisions?
  7. Is music licensed, and can you use the video in paid ads?
  8. What's the delivery date, and what's the payment schedule?

Once you lay two quotes side by side with these answers, the "same video" usually stops being the same. Our guide on how to choose a video production company in Egypt goes deeper into the red flags.

Ways to spend less without looking cheap

The biggest saving is batching. If a crew is already set up in your restaurant in Zayed, shooting five short videos instead of one costs far less than five separate shoot days. Plan a month or a season of content in one go, and the per-video cost drops hard.

Lock the script before the shoot. Rewriting on set means paying a whole crew to wait. Use your own location if it looks decent and you can control the noise. Keep the cast small. And be honest about where the video will live: if it's a vertical ad for Instagram and TikTok, you probably don't need cinema lenses and a jib.

What you shouldn't cut is the planning and the edit. A cheap shoot with a strong idea and a sharp edit will outperform an expensive shoot with no idea almost every time.

What we'd do with a fixed budget

Start from the goal and the budget, then shape the video to fit, not the other way round. If you have 20,000 EGP, ask for one strong ad plus vertical cut-downs, shot in your own space in one day. If you have 60,000, consider a content day that produces a hero video and a batch of short pieces for the next two months.

If you're also weighing the cost of a full agency retainer, our breakdown of what a marketing agency costs in Egypt puts video next to social media and ads. And if you'd like a clear, itemized scope for your next shoot, talk to our video production team and we'll tell you straight what your budget can buy.

How much does a video ad cost in Egypt in 2026?

For a 30 to 60 second social ad with a real camera, lighting and editing, most small and mid-size brands pay somewhere between 15,000 and 35,000 EGP. Bigger crews, actors and studios push it higher.

Is motion graphics cheaper than filming?

A simple 30 to 60 second motion video is often cheaper than a shoot, starting at a few thousand EGP. Custom characters and polished animation can cost as much as a live shoot.

Why do two quotes for the same video differ so much?

Usually because they're not the same video. Check the crew size, number of shoot days, who writes the script, how many edits and formats are included, and whether talent and location are in the price.

Do I pay extra for vertical versions for Reels and TikTok?

Often yes, unless you ask for it upfront. Agree on the formats (9:16, 4:5, 16:9) and cut-downs before the shoot so they're planned and priced in.

Can I lower the cost without hurting quality?

Yes. Shoot several videos in one day, use your own location, keep the cast small and lock the script before the shoot so nothing changes on set.

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